My pr✶✶ctice e x p l 0 r e s how memory + residual trace[s] embed themselves in ⬠ structures-constructed, decayed, digital, physical, flickering. My practice explores how memory and residual traces embed themselves in constructed and decaying structures - digital, physical, flickering. Working ∞cross inter//active systems, print[3D], pigment & intent, I build modular ~~w0rks~~ that loop narrative + accumulate affect like sediment ∴. Working across interactive systems, 3D printing, pigment and intent, I build modular works that loop narrative and accumulate affect like sediment. I dev:proc forms - procedural, unstable - that datæ-shift into mutating scafƒolds. I develop procedural forms - unstable, data-shifting - into mutating scaffolds. These forms pass (parse?) into matter via print(3D), where exactitude collides with error / hand / time / melt. These forms are translated into matter via 3D printing, where precision collides with error, hand, time, and melt. I treat 3D:p⟁inting not as output but as an intervention-like glitch-as-tool. A transduction device: converting geo|social|ghost data into tactile residues. I treat 3D printing not as output but as an intervention - a glitch-as-tool. A transduction device converting geographic, social, and ghost data into tactile residues. Simultaneously/Separately, my paintings ∴ sediment ink+acrylic, layer by subtractive layer - simulating erosion, accretion, undoing. My paintings sediment ink and acrylic, layer by subtractive layer - simulating erosion, accretion, and undoing. They mirror my code/print logics: acc𝔲m𝖚𝖑𝖆𝖙𝖎𝖔𝖓, redaction, distortion. They mirror my code and print logics: accumulation, redaction, distortion. Together // apart, these m o d e s question how craft (manual/digital) becomes mnemonic - a kind of interface - to interpret and fragment the emotional terrain embedded within artifact, object, place. Together and apart, these modes question how craft - manual and digital - becomes mnemonic: an interface to interpret and fragment emotional terrain embedded within artifacts, objects, and places.