I was born in the late nineteen-hundreds.

As a media artist and researcher, I explore what new forms of creative practice become possible when emerging technologies are approached as materials, systems, and collaborators, rather than simply as tools.

I blend painting, video, code, and physical processes to explore digital landscapes, technological memory, and encounters between people and computational systems.

Through custom software and material processes, I examine data as a changing substance, shaped by interaction, distortion, decay, and transformation.

Instead of optimizing for perfection, I look for the beauty in technical breakdowns—glitches, compression noise, digital artifacts, and unexpected behaviours—as evidence of interaction, time, and human presence.